The proportions look perfect. Don’t try to do it in 1 move, maybe. Slow down, build a few perspective lines, start easy, then add information layer by layer Stick with it on the bus, you’re going to progress and it might be fun to do a series of sketches through the bus window.
Not a helpful remark, but the shakiness gives a nice look to it, I guess. There’s a fact that, paradoxically, the consistency of a line&angle-perfect sketch is lost. Lovely blues, dull almost beige oranges, main splashes of rich green—I agree with the watercolor remark.
Not a helpful remark, but I think the shakiness gives it a nice look. Paradoxically, a line&¶doxically, there’s a reality to it.
Without the jitter, you do it again and maybe some more detail and it should look very good.
The proportions look perfect. Don’t try to do it in 1 move, maybe. Slow down, build a few perspective lines, start easy, then add information layer by layer Stick with it on the bus, you’re going to progress and it might be fun to do a series of sketches through the bus window.
Not a helpful remark, but the shakiness gives a nice look to it, I guess. There’s a fact that, paradoxically, the consistency of a line&angle-perfect sketch is lost. Lovely blues, dull almost beige oranges, main splashes of rich green—I agree with the watercolor remark.
Next time, draw a taxi,
I love that.
Sure, while not on the bus, you might do it again and clean up some row. But there is an appeal to this jaggyness, too.
Now put watercolors on it,
“I love that.
Sure, while not on the bus, you might do it again and clean up some row. But there is an appeal to this jaggyness, too.”